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Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion's Sweetie (1989) and Lucrecia Martel's La Cienage (2001) margaret McVeigh

By: Material type: TextTextSeries: Critical artsPublication details: South Africa 2017 Routledge Taylor & Francis GroupDescription: Vol. 31, No. 5 p.142ISSN:
  • 02560046
Item type: Journal Article
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